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New book highlights how much graphic designers can learn from the small ads of yesteryear

Creative Boom

If you haven't heard of Standards Manual , the Brooklyn-based, independent publishing imprint founded by designers Jesse Reed and Hamish Smyth in 2014, it's about time you did. Hamish Smyth discusses the making of the book Classified: Local Ads from America's Small Towns and why it's a must-read for designers in 2023.

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14 fonts to fall in love with: trending typefaces that designers adore

Creative Boom

NaN Tragedy Text combines the functionality of a text typeface with unconventional shapes, an economic approach and optical corrections to display features, such as an exaggerated calligraphic contrast axis. The fonts are fully equipped with various stylistic sets, ligatures and case-sensitive forms, among other features.

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Story behind the Federal Design Improvement Program explored in new zine

Design Week

He says the team knew early on that the zine would be a considerable research exercise, adding that for several the team relied on Standards Manual co-founder Jesse Reed’s network of friends working in design at the time. Simple wordmarks also featured. The mark, designed by Ethel K.

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“Even 45 years on it feels futuristic”: The return of NASA’s beloved Worm

Design Week

As a self-confessed “NASA nerd”, the news that the US space agency was “un-retiring” its iconic red wordmark – affectionately referred to as “the Worm” – was a big deal to both Smyth and his Standards Manual co-founder Jesse Reed, he tells Design Week.

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All Advertising Looks the Same These Days. Blame the Moodboard

Eye on Design

In a recent interview with The Brand Identity , Jesse Reed, co-founder of NY design studio Order , reiterated this idea and communicated his studio’s distaste for moodboarding, stating: “moodboards result in visual derivatives… leading with aesthetic influences as opposed to meaningful connections further propels the cycle of sameness.” .