This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
This week brought to a close another June of teaching Illustration at the School of Visual Arts Summer Residency. Now in it’s tenth year, the residency gives artists a chance to immerse themselves in the New York illustration world through a rigorous program of coursework, as well as visits with professionals, organizations, and exhibitions. Focusing on narrative illustration, my class guides students through the creation of a series of images inspired by a text of their choosing.
I recently had the privilege of speaking at the third annual Typographics conference, an event organized by the Type@Cooper program at The Cooper Union, to share a new project with fellow designers. While visually this new typeface would be unlike anything we’ve ever done before, in many ways it’s the quintessential H&Co project, taking on many of the themes that have characterized our work over the past twenty-eight years.
Studio Ouam have designed a colourful, exciting and interactive identity for POOMCLAP. An independent record label and booking agency based in Nice and Rennes. The 'young tri-colour house distinguishes itself with its records based on Nu Disco, Future Funk and French Touch'. Studio Ouam have created a bright and energetic brand: the colours are strong, bold and colourful; pinks and oranges.
In February I wrote about the wall of portraits at the Society of Illustrators in New York, where each president of the Society was drawn by a prominent illustrator of the day. Unlike typical portraits which are designed to flatter subjects who know little about art, the portraits on the walls at the Society were pictures of working artists, done by working artists, to be displayed in front of a judgmental audience of working artists.
Speaker: Amber Asay, Creative Director and Founder of award-winning design studio Nice People
Understanding what trends are happening and how they’re impacting the competitive landscape is crucial to providing top dollar design strategy to your clients. With so many trends coming and going, it can be overwhelming to determine which ones you should capitalize on and which ones might not be worth the trouble. In this exclusive webinar with Amber Asay, we’ll explore graphic design trends that need to die, trends that are starting to pick up and why, trends that have come and gone, and how t
We organize all of the trending information in your field so you don't have to. Join 66,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content