Creative Boom
NOVEMBER 8, 2023
Asser Levy Bathhouse, from the series ‘Bathhouse’, New York, 1975 © Deborah Turbeville Author and curator Nathalie Herschdorfer discusses her new book on Deborah Turbeville and why this trailblazing fashion photographer should no longer remain in the shadows. But don't feel ashamed if you're not familiar with her work.
Creative Boom
APRIL 10, 2023
Fashion designer Bünyamin Aydin, for example, takes the opportunity to look back through his personal photography as a means to make sense of his daily practice as a fashion designer; to draw a line between what his eye sees on his travels and how it manifests in his seasonal collections.
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Design Week
JANUARY 29, 2020
” And while there might not be one rule to good book design — Strelecki calls it a “process” between designers and clients — the jurors bring together a wealth of experience. Together and through that selection process, they might reveal answers to the secret of good book design Strelecki says.
Creative Review
JANUARY 31, 2020
” Here we find demeter exhibition poster As a result, the studio’s work is varied, busy, and eclectic, but one thread that runs throughout is a love of colour and contrasts. But really, the ways to get inspired are limitless.”
Eye on Design
AUGUST 29, 2022
Café Royal Books is a one-man print archive of culture, community, and social change based in Southport, UK. This impressive image-based publisher shares the best of documentary photography in weekly releases that cater to those interested in subcultures, British and Irish post-war history and more. Amazing photography.
Fonts in Use
APRIL 28, 2023
. Akzidenz-Grotesk is not only used throughout the book, from the cover to the captions. Typography in advertising Source: www.theideaofthebook.com The Idea of the Book. Photography in advertising: two posters from a campaign for more road safety Source: www.theprintarkive.co.uk
Creative Boom
APRIL 3, 2023
Dubbed 'one of the most progressive figures in fine art photography', Garry Fabian Miller's work is currently on show at the Arnolfini Gallery in Bristol. The pair also worked closely together on the book's design accompanying the show, also called Adore. The book echoes the typographic approach of the other exhibition graphics.
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