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Retro Packaging Design: Bringing Back Vintage Styles

Inkbot Design

Vintage signage fonts mimic painted shop sign lettering with distressed, imperfect shapes, offering an authentic retro touch. A vintage cola-style serif font looks plucked straight from a 50s advertisement. Incorporate era trademarks like motifs, patterns, colours and silhouettes into structural packaging and labelling elements.

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Maybe we don’t have to (re)brand everything

UX Collective

They are being framed within selected shapes, colours, and patterns, just to reinforce the identity of their new upcoming fitness “brand.” Somewhat devious yet ingenious, these locksmiths are perceivably budget-wise, but also wise enough to know their way around advertising and get the biggest real estate on their labels.

Brand 99
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The History of Logos: Where Branding Started

Inkbot Design

Symbols played a crucial role in advertising campaigns, as companies sought to create brand gurus that would resonate with consumers and leave a lasting impression. Logos from this era incorporated floral patterns, curved typography, and intricate illustrations. How did the Middle Ages use signs and signifiers for communication?

Brand 79
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21 Photoshop Tutorials to Brush Up Your Photoshop Skills

HONGKIAT

The course is designed to enhance advertising campaigns or promotional material by emphasizing the importance of lighting in design. Designing an Isometric Pixel Art Coffee Shop This comprehensive tutorial guides you through the process of creating an isometric pixel art coffee shop.

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15 Illustration Portfolio Websites That Are Brimming with Talent

High on Design by Wix

Neatly organized on Naomi’s homepage are her many projects, consisting of gifs, illustrated patterns and greeting cards. Natalia anticipates that her visitors are a good target audience for the course, and entices us to sign up with two clever methods. Johanna Puhl.

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Is It Art, or Is It Type? What We Learn When Language is Built, Not Written

Eye on Design

Based on an image of four abstract concrete trees designed by Jan and Joe Martel for the Paris exhibition of the decorative arts in 1925, Boyce developed a pattern on paper that looks a bit like a repeating art deco motif. Both Boyce and Banner have drawn their own typefaces as part of their work. Photograph by Savonne Anderson.

Art 96