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Its high typographic quality, robustness and refined detail make it a good choice for body text in magazines and books. Tiempos by Kris Sowersby. Tiempos began life as an optimisation of Galaxie Copernicus (based on Plantin) for a Spanish newspaper redesign. Tiempos by Kris Sowersby, as used by Bureau Nuits for Fimeb.
Inspired by blackletter elements and lithographic prints from the 1890s, this is a solid text face with modern proportions, clearly defined shapes and an angular physique. Plus, as a strong workhorse for text, it's also a strong option for abstract businesses or publications within a cultural and academic context.
Four core typefaces are in use: Eksell Display, Stadt, Fakt and TiemposText. Long-form pieces are set in TiemposText. Inside, the magazine has a new 12-column grid system that “improves readability and offers greater flexibility to utilize illustration and photography”, according to Pentagram.
Tiempos once again nods to the old science text book feel, he says. This means it’s “easy to delineate between possible paths of navigation within the website”, he adds. Typefaces have been used to reinforce the “editorial feel” of the identity, according to Martin.
Whether you’re creating a poster, a brochure, a website or any other kind of design that includes text, the importance of typography cannot be underestimated. Elena is a lovely font designed specifically for digital text. Tiempos Headline and Visuelt. Tiempos Headline is a modern serif for display typography.
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