Creative Boom
JANUARY 15, 2024
It's a theme that author and illustrator Xinyue Chen, AKA Maiyashu, explores to great effect in their latest picture book, I Will Always Be Here. Unsurprisingly, it's a skill that has been a long time in the making: "In 2020, I made my first picture book by hand and realised I wanted to create more illustrations and books," says Maiyashu.
Creative Review
AUGUST 20, 2020
She describes herself as a printmaker and artist, working digitally as well as on paper, and recently branched out into textiles. Sometimes I was doing a digital illustration that was way more cartoony, or playful, or abstract, and sometimes I wanted it to be really detailed with crosshatching and accurate proportions.”
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Creative Review
AUGUST 27, 2020
” Ashley studied Illustration at Leeds Arts University, and works across both illustration and printmaking. When lockdown happened I found that I needed to reframe my process and assert some ownership over digitalising my illustrations. To continually make, investigate, remould and evolve.”
Creative Boom
JUNE 15, 2022
Left to right: Billy Paterson (Communication Design Y3), Jihye Baek (MFA 2022), Fleur Connor (Painting and Printmaking 2022), Sophie Ammann, Leonie Hiller (Communication Design 2022). Subjects covered include fashion, graphic design, illustration, animation, product and furniture design, and photography. South East England.
Colossal
MAY 17, 2022
Cheri Smith , Russell Webb , Guy Laramée ( previously ), Aron Wiesenfeld , Guillermo Martin Bermejo , El Gato Chimney , and Claire Partington ( previously ) work across a wide range of styles including sculpture, illustration, painting, and printmaking. Cheri Smith, “Sausage” (2020), oil on board .
Design Week
APRIL 14, 2020
2020 marks the 250th anniversary of one of the movement’s most famous figures, William Wordsworth. Illustrating the odes. ” Keats’s stamp features an illustration of an ornate vase, in honour of his Ode on a Grecian Urn while a display of snowdrops illustrate Mary Robinson’s ode to the flower.
Creative Review
SEPTEMBER 8, 2020
The climate change agenda arguably took something of a hit in the first half of 2020, as the coronavirus pandemic swept the globe, shifting the focus of both the public and governments. BUY THE ISSUE HERE.
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