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'Storytelling and emotional connection matter more than aesthetics,' says illustrator Fangfang Han

Creative Boom

In 2020, she was a fashion buyer working in a busy industry where there just wasn't time to explore other creative avenues. My style has been shaped through years of experimentation – printmaking, collage, hand-drawing, stop-motion, digital painting – I've tried it all. Count Fangfang Han among them.

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London Original Print Fair moves to Somerset House for its 37th edition

Creative Boom

Deborah Azzopardi, The Great Escape, 2014, Cynthia Corbett Gallery. Given that the London Original Print Fair was forced to cancel its scheduled dates in 2020 due to the pandemic, the return of a physical event will be music to the ears of art lovers and buyers. Nevinson and Cyril Power's famous linocut, The Tube Station.

Print 469
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Class of 2022: A guide to all the UK's graduate shows this summer

Creative Boom

Left to right: Billy Paterson (Communication Design Y3), Jihye Baek (MFA 2022), Fleur Connor (Painting and Printmaking 2022), Sophie Ammann, Leonie Hiller (Communication Design 2022). After two years online, this year, it returns in physical form to the Ruskin Gallery and across the Cambridge campus. Students at Glasgow School of Art.

Fine Art 526
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Marco Lawrence

Communication Arts

” The path to working as an illustrator was a bit unexpected for Lawrence, who studied commercial fine art screen printing, fine art drawing and printmaking around Europe before graduating with a BA Honors in 2007. “That dedication to mastering technique is something that still characterizes my work today.”

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Seven Artists Crack Open the Art of Printed Matter in ‘Bookworks’

Colossal

All images courtesy of James Freeman Gallery. Cheri Smith , Russell Webb , Guy Laramée ( previously ), Aron Wiesenfeld , Guillermo Martin Bermejo , El Gato Chimney , and Claire Partington ( previously ) work across a wide range of styles including sculpture, illustration, painting, and printmaking.

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Meet Claire Grocott, Shillington Graduate and Founder of Studio Kokomo

Shillington

By early 2020 there were no jobs in sight and I was home-schooling two young kids—not ideal conditions for launching into a new career. Art galleries are chock full of visual inspiration— again colour palettes, approaches to using materials, and new approaches to composition. Can you tell us more about that? The list goes on!

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Carved Organic Patterns Highlight the Natural Wood Grain of Carbonized Mahogany

Colossal

All images courtesy of TERN Gallery, shared with permission. Always highlighting the potential of the raw material, Beadle, whose background is in painting and printmaking, evokes these mediums through layering dimension and motif in a single work and drawing on the subtraction inherent in carving into a blank woodblock. x 2 inches.

Patterns 101