Thinking Design
MARCH 10, 2023
In 1931 she designed the cover for die neue linie , a popular magazine for young women at the time. Lustig Cohen’s work was heavily inspired by architecture, and her inclination towards typography and abstraction can be seen in everything from her designs, to her paintings, to her mixed-media, sculpture, and printmaking works.
Eye on Design
AUGUST 22, 2022
Born in 1955 near Boston, MA to parents who were both creative professionals, Sandhaus grew up in the kind of design-filled home that had a printmaking workshop—which doubled as a ping pong table—in its basement. AIGA Eye on Design , March 7th, 2019, [link]. . AIGA Eye on Design , May 2nd, 2019, [link]. . Morley, Madeleine.
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Shillington
OCTOBER 5, 2021
I spent my time printmaking which I loved, however I left with no real life design skills. I used to collect a magazine called Frankie and saw an advert for Shillington College, so I went to the open day in Manchester back in 2014 and knew it was exactly what I wanted to do. I had never used InDesign before.
Shillington
AUGUST 19, 2020
An illustrator, designer and printmaker Ryan Duggan has worked for eclectic but exciting clients including Childish Gambino, Enjoi Skateboards and Bulleit Bourbon. Though we were even more struck by his work with the Field Museum for 2019’s youth-led Climate Strike. This has created a truly fascinating body of work. Ryan Duggan.
Colossal
FEBRUARY 1, 2023
Hartwig Art Foundation Curatorial Fellow (International) One curator will contribute to the Performa Institute, Performa Publications, and Performa Magazine and will be directly involved in preparation for the Performa Biennial 2023. Deadline: March 15, 2023.
Shillington
OCTOBER 5, 2020
After graduating from the Shillington London part-time course in July 2019, Ayesha Mansour has been freelancing as Aah Yes Studio. Timba Smits is the Creative Director of TCO London, Little White Lies and Huck Magazine—and Shillington graduate way back in the year 2000. Ayesha Mansour. Timba Smits. Oh No Type Co. Andrew Waterhouse.
Creative Review
JANUARY 4, 2022
These elements were used throughout the Bauhaus’ printed output, such as teaching materials and promotional ephemera like posters and pamphlets, as well as the school’s self-published magazines and books.
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