Creative Boom
FEBRUARY 13, 2023
And if there's one obsession that designers feel truly passionate about, it's typography. But while font choice may be deeply personal, that doesn't mean you can't play the field once in a while. To celebrate Valentine's Day, then, we asked the community for the fonts they adore the most in 2023. Nan Tragedy by NaN 3.
Shillington
DECEMBER 9, 2019
And one of the most important factors in all that is choosing fonts that complement each other well, both aesthetically and functionally. With millions of potential font combinations open to you, though, it can be difficult to know where to begin. Elena is a lovely font designed specifically for digital text.
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Thinking Design
NOVEMBER 18, 2021
His work in developing the roman typeface devised for a 1496 book by the humanist scholar Pietro Bembo — the inspiration for the modern font Bembo, still treasured by book designers for its grace and readability. Although books were popular and in demand Manutius' finances were often unstable. 26, 2015.
Tuts Plus
OCTOBER 15, 2019
What does it take for a font to change the world? A testament to the power of type, here you’ll find fonts that have the power to win landslide elections and build empires, as well as helping billions of people reach their destinations every day. . Looking for fonts similar to the ones in our edit? Melody Nieves. 20 Mar 2017.
Inkbot Design
DECEMBER 21, 2022
You'll get lots of real-world examples, from logos to websites to books, to show you what good design looks like. Robin uses her humorous writing style to explain concepts that would otherwise be difficult to grasp, such as “the five types of font” or the “nine ways to create a balanced design.”
Eye on Design
AUGUST 23, 2021
The guiding principle of “ like that book but different ” cover design has existed for decades. Philip DiBello and Devin Washburn, founders of the design studio No Ideas , believe we’re currently seeing an evolution of the Big Book Look. The “Big Book Look.”
Eye on Design
NOVEMBER 10, 2021
It is also a visual experience asserting that Pendleton is as much a book designer as a painter and video maker. designer David Reinfurt criticizes Pendleton for using Arial, describing the font as hard to place and not firmly linked to history. In a 2009 essay titled Adam, Why Arial? Who Is Queen? Black lives matter.
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