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It's all in the eyes for A Practice for Everyday Life's identity for the 59th Venice Biennale

Creative Boom

With the 59th Venice Biennale well underway, our attention turns to the Italian exhibition's graphic identity for 2022. Crafted by A Practice for Everyday Life , the London studio founded by Kirsty Carter and Emma Thomas in 2003, it's inspired by Surrealism and represented by eyes, which can be seen dotted around the Venetian city.

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Top of the Stack: Colossal’s Favorite Art Books of 2022

Colossal

We’ve published dozens of articles on artist monographs and compendiums of broader topics across art and design and science and history over the last 12 months, and these are the 10 titles that impacted us most. Prime, Art’s Next Generation. Art and Climate Change. Ocean, Exploring the Marine World.

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Human Hair, An Insect Trap, and Dozens of Fish Constitute Mail Art by Ritta Ikonen

Colossal

Finnish artist Ritta Ikonen has a rare relationship with postal services around the globe because of her ongoing Mail Art series. The documentary project started in 2003 when Ikonen was a student at the University of Brighton. The artist also is part of a group exhibition at Gallery 8 in New York that’s open through March 8.

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Embracing simplicity

UX Collective

The answer is pretty simple; Such art and craft went into bringing those two ingredients to life. 2003 version of the Google Search Page And there are tons of other examples of simplicity being the centrepiece to creating beautiful experiences. His designs exhibited the simple use of typography, layout, contrast, etc.

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Meet the Jury of the AZ Awards 2024

Azure Magazine

Lee Alumni Centre and Ponderosa Hub, both at the University of British Columbia (UBC); Ottawa’s Global Centre for Pluralism for the Aga Khan Foundation of Canada; the Remai Modern Art Gallery of Saskatchewan; and the recently completed Harrison McCain Pavilion for Beaverbrook Art Gallery in Fredericton, New Brunswick.

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Don Norman and the Emotional Side of Design

Inkbot Design

As Don Norman explains in his seminal 2003 book Emotional Design: Why We Love (or Hate) Everyday Things , emotional design has three key levels: Visceral – The initial emotional impact and first impressions of a product's look, feel, sound, weight, etc. It focuses on the emotional side of the human-product interaction.

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The general creative state, and the art of experiencing

UX Collective

Acting: The Art of Experiencing My first contact with a deeper sense of empathy was when I studied Acting in Secondary School. Not in sympathy like the caring profession, where it’s not essential to the craft of caring that one ‘feel’ the world from another’s point of view. Stanislavski’s was an Art of Experience. CC BY-SA 3.0

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