This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Nineteen years of designing typefaces has amply proven H&Co’s Third Law, which states that for every act of exhaustive research, there is an equal and opposite act of total silliness. This principle extends from typography into other disciplines as well: behold — no kidding — the Oxford English Dictionary in Limerick Form. Precisely the kind of project that the internet was made for, the OEDILF (stop snickering!
Artist Gary Panter is all over the news lately. Hollywood gossip magazine Entertainment Weekly placed him on this week's "Must" List along with Cher's new Las Vegas show. The New York Times applauded the arrival of a fancy new two volume, boxed collection of his work. His recent New York gallery opening was touted (by the gallery) as a "visual tour de force.
Taking a break from my top secret Independence Day project that combines typography and patriotism (more about this later ), I came across something marvelous that I had to share. The August 2008 issue of Print has this arresting image on the cover. I recognized that the typography grew out of our Gotham Rounded font, which is the magazine’s signature typeface, and had assumed that this treatment was a clever and curious bit of digital rendering on someone’s part.
Is that the sound of a designer waiting for Adobe Updater to complete? No, just a brief response to a question on Docs Populi , via Coudal Partners : “What does one call the use of random non-alphabet characters to indicate cursing? It’s a universally understood device, and is applied in both graphic and textual settings. It is such a commonly accepted staple that I assumed it must already be defined and described — but apparently it’s not.” But it is!
Speaker: Amber Asay, Creative Director and Founder of award-winning design studio Nice People
Understanding what trends are happening and how they’re impacting the competitive landscape is crucial to providing top dollar design strategy to your clients. With so many trends coming and going, it can be overwhelming to determine which ones you should capitalize on and which ones might not be worth the trouble. In this exclusive webinar with Amber Asay, we’ll explore graphic design trends that need to die, trends that are starting to pick up and why, trends that have come and gone, and how t
Describing the sand casting method for making type, Rob Roy Kelly quotes eighteenth century printer Christian Friedrich Gessner thus: “The ingredients of casting sand are fine sand, to which is added calcinated baking-oven glue, the redder the glue the better. This mixture is finely pulverized and passed through a mesh sieve. Thereupon the mixture is placed upon a level board.
Ever since director Gary Hustwit invited me to appear in his film Helvetica , life has changed for me in two ways. First, I get recognized on the street from time to time (always with the implied aren’t you that type dork ) — but second, and more rewardingly, I periodically find myself sitting on a panel with the director. It was at just such an event last autumn that Gary mentioned his new project, a documentary about industrial design.
The New York Times reports on crippling shortfalls in the nation’s strategic four reserve: ‘With regular gas in New York City at a near-record $4.40 a gallon, station managers are rummaging through their storage closets in search of extra 4 s to display on their pumps. Many are coming up short… “Typically, we have a lot of 9 s and 1 s, and we had a shortage of 3 s before we got a lot of 3 s in,” Mr.
The New York Times reports on crippling shortfalls in the nation’s strategic four reserve: ‘With regular gas in New York City at a near-record $4.40 a gallon, station managers are rummaging through their storage closets in search of extra 4 s to display on their pumps. Many are coming up short… “Typically, we have a lot of 9 s and 1 s, and we had a shortage of 3 s before we got a lot of 3 s in,” Mr.
This publicity photo, from the Berthold foundry’s Specimen No. 525B (late 1950s?) shows the foundry type for Arabic Shaded No. 50. In addition to demonstrating the maker’s facility with both non-Latin scripts and elaborate ornamentation (this is an outline face with a drop shadow, produced at 30pt), this diagram shows an interesting technique for kerning Arabic’s many delicate features.
Hands-on instruction in typeface design is notoriously hard to come by. Those interested in learning the craft have either to content themselves with a one-hour workshop at a professional conference, or commit themselves to a year of graduate school abroad. But this month, the Book Arts Center at Wells College Summer Institute is hosting a one-week class in typeface design with Sara Soskolne , Senior Typeface Designer at H&Co.
Hands-on instruction in typeface design is notoriously hard to come by. Those interested in learning the craft have either to content themselves with a one-hour workshop at a professional conference, or commit themselves to a year of graduate school abroad. But this month, the Book Arts Center at Wells College Summer Institute is hosting a one-week class in typeface design with Sara Soskolne , Senior Typeface Designer at H&Co.
Four hundred years after Gutenberg’s death, “metal type” was still being made the way he made it. Using files and gravers, a steel rod was cajoled into the shape of a backwards letter; this steel ‘punch’ was struck into a brass blank, called a ‘matrix,’ which would serve as a mold for the casting of individual pieces of lead type.
Brands must create and share impactful content to thrive, but they have less people, tighter budgets, and fewer resources to do so. Learn how to publish and market digital content with the same professionalism as organizations with million-dollar budgets.
We organize all of the trending information in your field so you don't have to. Join 66,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content