Creative Boom
JUNE 15, 2022
Left to right: Billy Paterson (Communication Design Y3), Jihye Baek (MFA 2022), Fleur Connor (Painting and Printmaking 2022), Sophie Ammann, Leonie Hiller (Communication Design 2022). And if you're exhibiting yourself, we wish you the very best of luck! Work will be exhibited physically at the Brayford campus from 18 June-1 July.
Thinking Design
MARCH 10, 2023
S öre Popitz (1896-1993) The Bauhaus’ only known woman graphic designer, Popitz distinguished herself from her male peers, embellishing her designs with blocky characters that depicted a uniquely female experience unseen in commercial advertising at the time.
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Creative Market
JULY 15, 2021
Today, his name is virtually synonymous with abstract expressionism and the use of celebrity culture and advertising in his designs. Since its creation, it’s been showcased in a multitude of books, magazines, and exhibitions about American history. Andy Warhol’s pop art dominated the scene of this design movement in the 1960s.
Eye on Design
AUGUST 22, 2022
Her research and authorship challenges the traditional design canon by uplifting the stories and work of unsung makers, and her design practice pushes forward new ways of thinking in exhibition design and the curatorial process. . Even before she studied design formally, Sandhaus had always been surrounded by it. Design by authors.
Creative Review
JANUARY 4, 2022
German typographer, designer, teacher, and writer Jan Tschichold cited the first Bauhaus exhibition as directly leading him to forge a more experimental way of working with letterforms that was also simple and practical; and he went on to lay out his principles in seminal book Die Neue Typographie (The New Typography).
Creative Boom
JULY 18, 2023
It includes artist and director Mat Maitland, image maker Joe Cruz, artist and designer Anthony Burrill, artist and printmaker Kate Gibb, and 3D artist Jack Sachs. They work with clients in spheres ranging from advertising and brands to fashion and retail.
Fonts in Use
APRIL 17, 2019
These are the same streets and squares where the posters once were posted and viewed, and some pictures actually show the venues where the advertised attractions like circus and variety shows took place. The fonts in use are various wood, brass, and metal types from the poster type collection of the HGB’s printmaking workshop.
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