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From there, the prints are brought inside and fixed in the darkroom—skipping the developer stage—and rinsed. The colors might vary depending on the objects used, their position and shape, the angle of the light, and the reflections falling across the paper. In the print-out photogram, there is no developer used.
The story: It’s 2050 and robots walk our whippets and do other duties on Mars. A limited edition of fine art prints is available on Karolis Strautniekas’s website. The post A Postcard From Mars by Karolis Strautniekas appeared first on WE AND THE COLOR. Subscribe to our newsletter!
Normally, you’d need to start a print job, then navigate through ‘Browse All Materials’ and ‘Material Settings’ to find the details you need. This means you can name your material, specify the cutting pressure, and even choose to make multiple cuts on the same material. To make this easier, I’ve compiled the entire list of material settings.
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