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14 fonts to fall in love with: trending typefaces that designers adore

Creative Boom

The weights variation from Hairline to Super with corresponding italics form a coherent and versatile family, making it suitable for book design, poster design, branding, signage systems and more. This is a strongly contrasted, edgy, blazing serif typeface suitable for display purposes on screens and in print.

Fonts 546
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“Books remain stubbornly, thrillingly relevant”: the enduring value of book design

Design Week

The annual competition was originally known as Fifty Books of the Year, and jurors focused on the “construction of the book and the printed page”, its current organiser Heather Strelecki tells Design Week. As book production expanded, so did the AIGA’s outlook. Reid (2009). Why this year?”

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The German Pavilion at the Venice Biennale 2009-2022

Design Everywhere

The German Pavilion at the Venice Biennale 2009-2022.

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manystuff.org — Graphic Design daily selection » Blog Archive » The most beautiful Swiss books 2009 #cover #swiss #book

Designspiration

Discover more of the best Book Design, Print, Books, Publication Design, and Covers inspiration on Designspiration Saved by Kasper Pyndt (@kasperpsr).

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“Animal Farm” & the Evolution of the Dust Jacket

Thinking Design

Throughout the 1820s, publishers began covering annuals in a sort of wrapping paper, printed with minimal text, enough to identify the volume—these were referred to as “dust jackets”. In 2009, the Bodleian Library, Oxford discovered the earliest known example of one of a dust jacket. 1945 Secker and Warburg Edition (UK).

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“Animal Farm” & the Evolution of the Dust Jacket

Thinking Design

Throughout the 1820s, publishers began covering annuals in a sort of wrapping paper, printed with minimal text, enough to identify the volume—these were referred to as “dust jackets”. In 2009, the Bodleian Library, Oxford discovered the earliest known example of one of a dust jacket. 1945 Secker and Warburg edition (UK).

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The 15 Best Web Design Books to Level Up Your Skills

Inkbot Design

First published in 1992, The Elements of Typographic Style remains the gold standard reference for doing professional-grade typography for both print and web. Bringhurst writes engagingly with reverence for design tradition and openness to modern practices. The Elements of Typographic Style: Version 4.0: