Creative Boom

JANUARY 14, 2025

Designed by Chris Wu, edited by writer Caren Litherland, and printed by Conti Tipocolor, Florence, Double Acts in Pop is obviously visually stunning, but it is meant to be read as much as admired. In some ways, their relationship with Wu is somewhat unconventional, as they've taken turns being on the client side.

Print 448

Print Exhibition Layout Graphic Design 448

Just Creative

AUGUST 31, 2020

If you’re not providing brand style guidelines after designing a logo, you’re leaving money on the table, leaving the client without guidance and giving your hard work the opportunity to be mucked up. But there’s actually more work to be done after that, and it will actually be beneficial to the client. Color Palette.

Branding 269

Branding Brand Client Color 269

Inkbot Design

APRIL 20, 2022

If you’re running a digital marketing agency, you’ll know the importance of matching colours and fonts across multiple platforms. If you can’t get your clients to transition seamlessly between their branding and your digital marketing, you’ll struggle to generate conversions.

Print 98

Print Client Marketing Marketing 98

Graphic Mama

AUGUST 30, 2022

A lot of things have changed and clients have become more demanding. Fortunately, PowerPoint has been able to share some of the great fonts that were available in Word and import tables from Excel. PowerPoint 11 is part of Windows Office 2003 and has played its role in the new era in PC software – Windows XP.

Internet and Software Development 73

Internet and Software Development Presentation Programming Animation 73

crowdspring

DECEMBER 13, 2018

brand assets – visual assets (fonts, colors, resources, etc. If your brand constantly changes, it’s hard for customers or clients to wrap their minds around what it’s about. For example, crowdspring offers design (logo-design, website design, print design, product design, packaging design) and naming services.

Marketing 135

Marketing Marketing Branding Brand 135

Eye on Design

DECEMBER 1, 2021

Shatan told Beastiemania in 2003. “At The prints would be rough and sometimes cruddy. One of the most difficult tasks was their request to use an architectural style font; at the time none existed in digital form. Keeping it an independent company from Def Jam allowed them to take jobs from other labels and clients.

Magazine 145

Magazine Art Illustration Illustrator 145

Tuts Plus

MARCH 8, 2020

In 2003, she left her studio and the world of strategic design to pursue her own interest after a year of sending out promotional materials. Irma started her career at The Government Printing and Publishing Office by doing an internship. Her clients include Chanel, Sheila Hicks, The Museum of Zurich, and many more.

Graphic Design 95

Graphic Design Graphic Arts and Crafts Fonts 95