Creative Boom
JUNE 15, 2022
Left to right: Billy Paterson (Communication Design Y3), Jihye Baek (MFA 2022), Fleur Connor (Painting and Printmaking 2022), Sophie Ammann, Leonie Hiller (Communication Design 2022). Insect Pasta by Chloe Kang, MA Industrial Design (Central Saint Martins). Students at Glasgow School of Art.
Eye on Design
JULY 22, 2021
Like other architects of the era, he took an expansive view of what the architect could do, not simply interested in buildings but in the design of everything from products to city plans to graphics. . Graphic design’s history in the academy is hard to trace, but it was clearly there at the outset.
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Shillington
FEBRUARY 3, 2022
The college prides itself on being in step with any changes and trends in the design industry and adjusting its curriculum accordingly. CIA also offers its students the opportunity to collaborate with students from the college’s Industrial Design and Interior Design departments on exciting projects.
Shillington
AUGUST 20, 2023
Its associated blog features a range of critical, informed writing about design and visual culture. I Love Typography I Love Typography covers everything from typography and type history to making fonts, and everything in between, including printmaking to book history and occasionally calligraphy.
Shillington
SEPTEMBER 14, 2020
Less well known, but no less fascinating, is the distillation of modernism in graphic design. This unprecedented publication, authored by Jens Müller, brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Buy the book.
Azure Magazine
JULY 6, 2021
A haven for circus artists, dancers, painters, printmakers, industrial designers and just about everyone in between, the unassuming building houses a densely populated community at the heart of the Junction Triangle. Outside, however, City of Toronto signage portends a very different future for the site. .
Shillington
SEPTEMBER 22, 2022
Less well known, but no less fascinating, is the distillation of modernism in graphic design. This unprecedented publication, authored by Jens Müller, brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Buy the book.
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