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Neville Brody on authenticity, outrage, and his thoughts on AI

Creative Boom

Especially digitally, like on Twitter, you can express it in online features because it's quite easy to pull the feature or delete the tweet – but it stays out there forever, of course. Indeed, Brody's is a firmly counter-cultural backstory.

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For the Record: Photography & the Art of the Album Cover

Design You Trust

Rage against the Machine’s cover features a crop of Malcolm Browne’s famous photograph of the self-immolation of Thích Qu?ng Graham Parker and the Rumour – The Parkerilla, Mercury, 1978, by Brian Griffin (design by Barney Bubbles). This album was also my introduction to Barney Bubbles, who designed the cover.’.

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Elvis Costello’s Sleeve Covers Turned Album Art On Its Head

Eye on Design

These record sleeves are passable, but they don’t compare to Costello’s five-year purple (and orange, and green, and crimson, and beige) patch between 1977 and 1982, when Colin Fulcher—aka Barney Bubbles, the zelig of way-out ’70s and ’80s album art—was Stiff Records’ in-house art director. . My Aim Is True (1977). Collect them all!

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Celebrating the design genius of Barney Bubbles

Creative Review

Barney Bubbles is a designer who manages to straddle two camps: he’s truly a ‘designers’ designer’, but also one whose work is celebrated by those outside of that, well, bubble. Galactic Tarot Set from A Box of Bubbles by Paul Gorman. They hit it off pretty quickly.”

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The Wild World of Barney Bubbles: a closer look at the enduring influence of the iconic graphic designer

Creative Boom

Barney Bubbles is a name synonymous with graphic design. Treading the line between art, graphics and direction, Bubbles was best-known for his contribution to the British music industry, particularly between the 1970s-1980s. To say that Bubbles' work was influential would be an understatement.