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Class of 2022: A guide to all the UK's graduate shows this summer

Creative Boom

Left to right: Billy Paterson (Communication Design Y3), Jihye Baek (MFA 2022), Fleur Connor (Painting and Printmaking 2022), Sophie Ammann, Leonie Hiller (Communication Design 2022). Insect Pasta by Chloe Kang, MA Industrial Design (Central Saint Martins). BA Fashion (Central Saint Martins).

Fine Art 501
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How Cranbrook’s Design Program Redefined How We Make and Talk About Graphic Design

Eye on Design

Like other architects of the era, he took an expansive view of what the architect could do, not simply interested in buildings but in the design of everything from products to city plans to graphics. . Graphic design’s history in the academy is hard to trace, but it was clearly there at the outset.

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50 Essential Books Every Graphic Designer Should Read in 2020

Shillington

Fresh businesses and social initiatives are appearing in industries ranging from fashion to farming, from high-tech to creative handcraft. In an attempt to examine the cutting edge of printmaking, this book brings together an amalgam of print designs that have gone beyond pure digital printing. Buy the book. Buy the book.

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The 50 Best Graphic Design Quotes Ever

Design Wizard

The power of color in design cannot be understated, and Pierre Bonnard emphasises that in this quote. Bonnard was an extremely talented painter, illustrator and printmaker who backed up his claims in his work. Color is not just there to make a design look good, but to reinforce its message. .” - Pierre Bonnard.

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Take 5: A Flatpack PC Case, Earphones Molded For You and Only You, Versatile YBells and More

Design Milk

In fact many designers across numerous fields of design – especially architects, industrial designers, automotive designers, and anyone relying on GPU reliant tasks – tend to be deeply invested in utilizing Windows-powered machines.

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59 Essential Books Every Graphic Designer Should Read in 2022

Shillington

He picks apart how design can convince us of a certain way of thinking, in both an overt and covert manner. Through examples, not just from graphic design but also product design, industrial design and architecture, Adams illustrates how design can inspire, provoke, amuse, anger or reassure us and the reasons why it does this.