Thinking Design
MARCH 10, 2023
S öre Popitz (1896-1993) The Bauhaus’ only known woman graphic designer, Popitz distinguished herself from her male peers, embellishing her designs with blocky characters that depicted a uniquely female experience unseen in commercial advertising at the time.
Eye on Design
AUGUST 22, 2022
Born in 1955 near Boston, MA to parents who were both creative professionals, Sandhaus grew up in the kind of design-filled home that had a printmaking workshop—which doubled as a ping pong table—in its basement. Even before she studied design formally, Sandhaus had always been surrounded by it.
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Shillington
SEPTEMBER 14, 2020
What Images Really Tell Us: Visual Rhetoric in Art, Graphic Design, and Advertising by Massimo Mariani. Originally published in 1999 and now in its 9th edition, this book is a classic guide to graphic design and layout technique, and a must-read for any modern-day student or working designer. Buy the book. Buy the book. Buy the book.
Creative Review
JANUARY 4, 2022
Offset: Book and Advertising Art, Bauhaus Issue vol. These elements were used throughout the Bauhaus’ printed output, such as teaching materials and promotional ephemera like posters and pamphlets, as well as the school’s self-published magazines and books.
Creative Boom
JULY 18, 2023
Their team prides itself on providing an expert and friendly boutique service and supplying beautiful, eye-catching content to clients across all genres, including children's publishing, sci-fi and fantasy, concept art and character design. Paradise Sands - illustration by Levi Pinfold from the picture book published by Walker Studio.
Fonts in Use
APRIL 17, 2019
These are the same streets and squares where the posters once were posted and viewed, and some pictures actually show the venues where the advertised attractions like circus and variety shows took place. The fonts in use are various wood, brass, and metal types from the poster type collection of the HGB’s printmaking workshop.
Shillington
MARCH 8, 2021
Working for clients such as The New York Times and Tate, her artworks vary from editorial pieces and children’s books to advertising campaigns. Her recent work for publishing platform Legacy scooped an American Graphic Design Award in 2020. Hélène Baum-Owoyele is a French/German illustrator and graphic designer based in Berlin.
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