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Julie Alex's slanted still-life illustrations are a love letter to her many passions

Creative Boom

Like most artists, it's a craft she began practising in childhood when she would spend her time sketching alongside her sister. She's why I didn't quit it during my university years," says Julie, who only attended art school for a couple of weeks before going to university to study to become a history teacher. "I

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Inspiring creative women to follow in 2022

Creative Boom

Image licensed via Adobe Stock. And outside her day job, she's the co-founder of Woodism , an art collaboration that celebrates children with autism whilst raising money for charity. Through her workshop, Own Your Story, Olivia coaches audiences in a methodology for crafting a clear, concise and compelling personal brand story.

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50+ Best Gifts for Designers on Every Budget

Inkbot Design

Visual books full of artwork, photography, and graphic techniques often provide the most value for designers. Here are the top picks in this category: Art and Design Books From modern to contemporary works, art books give designers eye candy to admire and draw ideas from. Sale Modern Art. Bring out your inner Matisse.

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How to Know You Are Hiring the Right Graphic Designer

Inkbot Design

Ensure designers have expertise in relevant technologies such as: Adobe Creative Cloud – Industry standard programs like Photoshop, Illustrator, and InDesign for print and digital design work. Photo/video editing – For any visual media manipulation and production needs. informed by lived familiarity with those worlds.

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Women You Should Know in Graphic Design History

Tuts Plus

Gail Anderson is a graphic designer and writer who graduated from the School of Visual Arts. It doesn’t stop there, however: she has served as a board member for Adobe, the Society of Publication Designers, and the Type Directors Club. She taught herself calligraphy and later joined Skidmore College to study art.

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35 Famous Graphic Designers You Need To Know

Shillington

On top of this, she is also a teacher at the School of Visual Arts, contributes to Imprint and Uppercase magazine and has co-authored numerous books, including The Typographic Universe, American Typeplay and New Modernist Type. He lectures at his alma mater the School of Visual Arts and other colleges across America.