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Solar Photograms Imagine a Haunting Vision of the Future

Feature Shoot

From there, the prints are brought inside and fixed in the darkroom—skipping the developer stage—and rinsed. In the print-out photogram, there is no developer used. billion tons of greenhouse gas emissions by 2050. “Darkroom paper has a spray of nano-silver gelatin particles,” the artist explains.

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Carlo Ratti’s Abundance Agenda 

Azure Magazine

Collective , the central exhibition of the 19th Venice Biennale of Architecture, curator Carlo Rattis wall text unfolds a foreboding vision of the future: The Exhibition begins in the Corderie with a stark confrontation: global temperatures rise while global populations fall. PHOTO: Marco Zorzanello It gets worse. For BIG and co.