This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
You simply combine the stamps to construct letterforms, design typographic posters and cards, and explore the joys of printmaking. Origin story An artist, designer and printmaker, Will first became interested in modular systems and printmaking in 2013 during a period of creative block.
To do so, they collaborate with a range of independent creatives, including illustrator Ingebjørg Hunskaar , designer Rachel Richardson and printmaker Helen Murgatroyd. Founded in 2013, Miss Pompom quickly became renowned for its vegan-friendly range of scarves designed by independent artists. Miss Pompom.
The nonprofit has been a hub for printmaking and book arts for Bay Area creatives since it opened 25 years ago, offering about 300 workshops and classes in papermaking, letterpress, binding techniques, and a range of other processes to thousands of students each year.
The fonts in use are various wood, brass, and metal types from the poster type collection of the HGB’s printmaking workshop. From 2013 to 2016 he was a master student with Smeijers. The accompanying poster was letterpress-printed in iridescent colors. Most of them stem from roughly the same era when Leiner printed his posters.
We organize all of the trending information in your field so you don't have to. Join 66,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content