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The Best Graphic Design Books to Buy

Inkbot Design

The Best Graphic Design Books to Buy. I recently updated one of the more popular posts on the blog entitled the best books for Logo Designers and thought a corresponding page of the best Graphic Design books could be helpful. 100 Ideas that Changed Graphic Design. $19.99. .

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40 Best Creative Podcasts To Liven Up Your Day

Shillington

Vince Frost Design Your Life. In his 2015 book, Design Your Life, Vince Frost laid out his central idea that design thinking can apply to everything from business to life. Design Matters. In 2005, Debbie Millman started a radio show, Design Matters, which became the first-ever of the design and creative podcasts.

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Patrick Thomas & his PULP silkscreen prints respond to the era of "truth decay"

Type room

“They are powerful graphic statements that document a moment in time whose aim is to ask more questions than provide answers”. . Thomas is a graphic artist, author and educator. In 2005 he published Black & White, a compilation of his work for the International Press. A revised edition was released in April 2019.

Print 40
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How Hjärta Smärta Challenged the Male-Dominated Status Quo in the Early 2000s

Eye on Design

Long before higher education in art and design was within reach for me, and before my imagination stretched to even considering book design as something one could do for a living, I accidentally found a publication in the school library that absorbed me and still sits in my heart as one of the “magic” books of my life. .

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10 Fresh Font Pairings for Editorial Design in 2020

Shillington

Some of these may not be the most obvious font combinations, but they all work together beautifully and are potentially suitable for a wide range of design purposes. Elena is a lovely font designed specifically for digital text. Freight Text is a serif typeface designed by Joshua Darden and published through GarageFonts in 2005.

Fonts 69
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Uncharacteristic Characters

Fonts by Hoefler&Co.

When I started designing typefaces professionally, back in 1989, I spent a lot of time advocating for custom typography as a way to end the monoculture of early digital fonts. In addition to wanting the design to feel personal — authorial — I wanted the design to have the versatility of a hard-working type family.