Remove 2003 Remove Exhibition Remove Gallery Remove Programming
article thumbnail

Photographer Keisha Scarville wins the inaugural 2024 Saltzman Prize

Creative Boom

The prize, which pays tribute to art patrons and designers Ralph and Muriel Saltzman, sees Keisha receive a $10,000 award and additional funds to support a solo exhibition of her work at the Javits Center on September 6–8, 2024. "It It is a wonderful honour to be awarded the inaugural Saltzman Prize," said Keisha.

article thumbnail

Meet the Jury of the AZ Awards 2024

Azure Magazine

Lee Alumni Centre and Ponderosa Hub, both at the University of British Columbia (UBC); Ottawa’s Global Centre for Pluralism for the Aga Khan Foundation of Canada; the Remai Modern Art Gallery of Saskatchewan; and the recently completed Harrison McCain Pavilion for Beaverbrook Art Gallery in Fredericton, New Brunswick.

Insiders

Sign Up for our Newsletter

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

article thumbnail

“Could Policy-Making be Considered Architecture?” A Q&A with Frida Escobedo

Azure Magazine

That all changed this March when New York’s Metropolitan Museum of Art picked her to design its new $500-million modern and contemporary art wing, 7,435 square metres of galleries and public space. Ambasz is also credited with discovering Luis Barragán by bringing his exhibition to MoMA where he was a young curator in the 1970s.

article thumbnail

15 DIY Cameras That’ll Blow Your Mind

Feature Shoot

‘After dropping out of the sculpture program at the Kansas City Art Institute in 1992, I came across the most inspiring book for pinhole photographic artists: Eric Renner’s Pinhole Photography: Rediscovering a Historic Technique. “Sitting inside this camera on wheels is an experience you do not soon forget.

article thumbnail

Sketches of Frank Gehry: A Conversation with Jean-Louis Cohen

Azure Magazine

He has explored theory and design from 1900 to the present and incorporated his vast knowledge into publications, exhibitions (including at the 14 th Venice Biennale, where he curated the French Pavilion) and lectures. His work is no less ecological than other designs, but he is not interested in exhibiting this aspect.