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She co-founded the design agency Sagmeister & Walsh with Stefan Sagmeister in 2010 before founding her own studio &Walsh in 2019. Over the years, her clients have included Adobe, The New York Times and Levi’s. She has been recognised with numerous awards, including a Art and Design feature in Forbes’ 30 Under 30.
Not all design groups resist change, as can be seen by the Bauhaus. Industry 3.0 was the exodus from hand-drawn plans to computer-aided design (CAD) software when companies like Corel, Autodesk, and Adobe entered the design market. And so the story persists in Industry 4.0, or settle for Industry 3.0’s
She’s co-authored 16 books and has been awarded Lifetime Achievement Awards from AIGA, and she's the first African American to receive the Cooper Hewitt National Design Awards. It doesn’t stop there, however: she has served as a board member for Adobe, the Society of Publication Designers, and the Type Directors Club.
Notable Clients: Snapchat, 7Up, The Gap, BMW, The Museum of Modern Art, The Guggenheim Museum, NYTimes Magazine, Lou Reed, Jay-Z, Brian Eno, David Byrne, Random House Publishers, the AIGA, Autodesk, Levis, Adobe. Look back at the last two or three decades of graphic design. The design studio has a reputation for bold design choices.
Choice and Velvet Spectrum have created work for American Express, Samsung and Adobe Max. Typography is the name of the game for Venezuelan designer Isabel Urbina Peña—she runs her own studio in Brooklyn that focuses on lettering, book covers and designs, typeface design and branding. Dreamy stuff. Isabel Urbina Peña.
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