Creative Boom
JUNE 15, 2022
Left to right: Billy Paterson (Communication Design Y3), Jihye Baek (MFA 2022), Fleur Connor (Painting and Printmaking 2022), Sophie Ammann, Leonie Hiller (Communication Design 2022). Running from 17 June-3 July, the RA Schools Show sees 15 students transform their studios to present new work across various media.
Creative Market
JULY 15, 2021
Today, his name is virtually synonymous with abstract expressionism and the use of celebrity culture and advertising in his designs. Unlike other artists in the movement, he specifically sought out to include surrealism in his works to make the point that pop culture and advertising had gotten so out of control. Image Credit: WikiArt.
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Shillington
AUGUST 20, 2023
Creative Review Founded in 1980, Creative Review is the world’s leading monthly magazine for advertising, design and visual culture. I Love Typography I Love Typography covers everything from typography and type history to making fonts, and everything in between, including printmaking to book history and occasionally calligraphy.
Creative Market
JANUARY 21, 2022
Monochromatic linocut art is a nice way to start, but for more fun and better results, printmakers also add contrasting tones to their pieces through gradients or the use of multiple colored inks. If it’s not the shapes or artworks you need, it’s the vibe and textures of analog art that go best with printmaking-inspired design projects.
Creative Review
JANUARY 4, 2022
Offset: Book and Advertising Art, Bauhaus Issue vol. The show aims to trace the impact of Bauhaus type from the school’s founding in 1919 to the present day. Between 1947 and 1949, he oversaw the production of more than 500 Penguin book covers.
Shillington
SEPTEMBER 14, 2020
A major presence in contemporary German graphic design, Andreas Uebele trained as an architect, a thread that continues to present itself in much of his work. Arranged in chronological order, each of the 100 ideas is presented through a combination of text and images, which explores when it first evolved and the impact it’s had on the world.
Fonts in Use
APRIL 17, 2019
A selection of 64 posters are reproduced in color and presented in stacks, allowing the reader to reenact the experience in the museum’s archive and leaf through the broadsheets. The fonts in use are various wood, brass, and metal types from the poster type collection of the HGB’s printmaking workshop.
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