2018 Client Gallery Industrial Design 
Azure Magazine
JANUARY 23, 2024
Lee Alumni Centre and Ponderosa Hub, both at the University of British Columbia (UBC); Ottawa’s Global Centre for Pluralism for the Aga Khan Foundation of Canada; the Remai Modern Art Gallery of Saskatchewan; and the recently completed Harrison McCain Pavilion for Beaverbrook Art Gallery in Fredericton, New Brunswick.
Shillington
MARCH 14, 2023
“My love of art led me to work in museums and galleries. However, whilst working at the Australian Museum, I was intrigued and inspired by the work that the designers did. On my freelance days, I am usually shooting content with clients, or designing and editing from my study at home.”
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Eye on Design
JUNE 24, 2022
Find a constellation of smart designers, a cluster of design-centered exhibitions, and trail of truncated consonants, and Krishnamurthy is likely at the center. the gallery that Krishnamurthy ran out of a storefront in New York’s Chinatown from 2012 to 2017. All design by Wkshps. What have you been up to?
Azure Magazine
MAY 3, 2024
From Douglas Cardinal’s Canadian Museum of History and Raymond Moriyama’s Science North to John and Patricia Patkau’s Audain Art Gallery, the country’s public galleries and museums claim a leading place in the national design discourse, providing a civic lens through which we understand culture, art, history, and nature.
Design Milk
DECEMBER 29, 2021
We’re joined by Brooklyn-based industrial designer Joseph Guerra of Guerra Office. He’s won world-wide acclaim for his work for clients like Cooper Hewitt, Away, Google, Harry’s, and our absolute favorite, Outdoor Voices. Finding “Surprise and Delight” in Everyday Objects.
Shillington
FEBRUARY 3, 2022
The college prides itself on being in step with any changes and trends in the design industry and adjusting its curriculum accordingly. CIA also offers its students the opportunity to collaborate with students from the college’s Industrial Design and Interior Design departments on exciting projects.
Design Week
AUGUST 13, 2020
The creative and cultural sector have still a lot of work to do to lobby more effectively about the economic contribution they make (£212 billion in 2018 or 11% of the economy). ” – Emile Jones, industrial designer.
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