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If you're a digital native, you may have grown up without ever interacting with physical type. We spend so much time working in digital nowadays it's hard to remember that for hundreds of years, typography was a purely physical medium. Here's a fun new project that can round out that experience.
12 , a digital revival of Eduard Haenel’s Schmale Egyptienne 28 Cicero (c. It’s committed to publishing “digital reconstructions of typefaces that have somehow vanished” Soirée Fantastique was published by the Institut für Buchkunst Leipzig in spring 2017 in an edition of 500 copies.
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