This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
I’m Listening erupts with color, pattern, and texture through a bounty of sculptures, paintings, prints, and assemblages that reimagine everyday objects. He explores “dynamic panel assemblages, complex patterns reminiscent of op art, and immersive installations that explore the human condition,” the gallery says.
At the further end of the hall, we pass the perforated glass sculptures and immersive walls to come upon a more natural interpretation of glass by Ronan Bouroullec. The organic forms interwoven with geometric regularity in a backlit box, illuminate the textural qualities of the layers of glass.
Ceramic and porcelain tableware in glazed stone finishes bring subtle texture to the table, while a curated glassware range keeps things minimal and elegant. The vases two mouth-blown and one in bold, black ceramic serve as sculptural statements, no two alike, each one an added touch for any room.
By embracing the raw, layered textures inherent in additive manufacturing, Dumaliang is challenging the way everyday objects lighting, timepieces, and decor are designed, produced, and experienced. His process begins with sketches, evolving into digital models where he refines geometry, light diffusion, and texture.
We organize all of the trending information in your field so you don't have to. Join 66,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content