Fonts by Hoefler&Co.
MAY 12, 2009
Is any typeface more in-the-know than a Clarendon? These smart looking slab serifs have the timeless style of a charcoal gray suit, or a well-chosen pair of horn-rimmed glasses: they’re approachable, welcoming, and effortlessly persuasive. Yet they’re tough to use — out of the question for setting text — because they lack italics.
Illustration Art
MAY 24, 2009
"Mistah Kurtz, he dead" Like Andy Warhol and LeRoy Neiman, Peter Max was a talented, hard working illustrator before he became a pop culture sensation. He studied for years with the great teacher Frank Reilly at the Art Students League in New York and learned the skills of a serious artist. In 1963, Max was assigned to paint a jazz record cover. The young artist worked hard to finish the project on time, but his art director didn't like the result.
Fonts by Hoefler&Co.
MAY 7, 2009
For one quarter of its lifetime, the Guggenheim Museum has enjoyed the use of a signature typeface created by H&Co. The project originally commissioned by Abbott Miller , a sans serif in six styles called Guggenheim, has since grown into a family of thirty styles, now known as Verlag. This expanded set of fonts, now including five weights in three different widths, is now available from H&Co.
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