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Barnett Freedman “saw no difference between commercial work and fine art”

Design Week

His first major commission in 1931, for publishers Faber & Faber was to design and illustrate Siegfried Sassoon’s Memoirs of an Infantry Officer. This sparked a trend; he went onto design jackets for Oliver Twist, Wuthering Heights, War and Peace and Anna Karenina.

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25 Exciting Female Creatives to Follow This International Women’s Day

Shillington

I always strive to forge a meaningful connection with an audience that informs them through design and leaves a lasting impression,” she says. It was a full-time obsession that led to her studying Fine Art at the prestigious Camberwell College of Arts. Niamh Tulley. As a child, Niamh Tulley was always drawing.