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Inspired by the concept of a newsstand, the public library with its modular racks and displays will feature 100 books, magazines, and titles for kids – all hand-selected by the SPACE10 team, as well as input from guest curators and the community. This selection will change throughout the year with new, relevant titles.
While in 2012, buildings were considered sustainable if they met LEED standards, Boston University was pursuing the ambitious goal to be carbon neutral by 2040. The program, however, needed to account for quiet workspaces in addition to collaboration zones. The DNA of the building was never lost.
There are, in effect, two parallel but distinct housing crises: While the decades-long erosion of government-led housing programs has left homeless and low-income people without support, rapidly escalating land values in major cities are quickly making rent – let alone home-ownership – all but unattainable for middle-case urbanites.
was published in Emigre magazine alongside a body of other writing on the notion of “design authorship.” As an undergraduate, he was exposed to a rare-at-the-time design program that wasn’t simply commerce-focused, but also incorporated the history and theory of graphic design.
We know that ‘addictive design’ is hugely problematic — Actionable Design Magazine describes addictive design as ‘design[ing] for addiction and excessive use raises concerns about the impact on mental health and well-being.’ Addictive design is inevitable when we choose to use Deceptive Patterns (known as Dark Patterns) in our design work.
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