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Selected GigPosters, 2004-present on the Behance Network #meat #tshirt #retro #poster

Designspiration

Saved by Sean Walker (@fault). Discover more of the best poster, typography, retro, type, and tshirt inspiration on Designspiration

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Print's not dead: the best magazines for graphic design inspiration

Creative Boom

We present a selection of the best titles on sale today. For graphic designers especially, print magazines offer a source of inspiration that's tangible and immersive and presents content in a completely different visual way to digital. Spread from the latest Type 01 magazine. When was the last time you read a printed magazine?

Magazine 494
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Mike Nelson on his sensory new survey, scavenging objects and simulating reality

Creative Boom

It's an amalgamation of objects scavenged from the depths of junkyards and flea markets, which through their presentation, serve to preserve fragmented moments with enough room for open-ended interpretation. Installation view of Mike Nelson, Triple Bluff Canyon (the woodshed), 2004. Various materials. Found tyres.

Gallery 359
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Beatport unveils a new vinyl-inspired logo

Creative Review

Beatport, which was founded in 2004, offers a vast catalogue of buyable tracks as well as a chart, and several sub brands including Beatport Link – which allows DJs to build and stream playlists. “The underground scene is also a strong nerve in the Beatport ecosystem.

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In ‘Zoophites,’ Les Lalanne Hybridize Beasts and Botany into Functional Sculptures

Colossal

” Zoophites borrows its title from a 1964 show in Paris that was the first the pair presented together and is on view through May 9. Photo by Charlie Rubin François-Xavier Lalanne, “Oiseau de Peter branché (grand) (Modèle de montage)” (2004), bronze, 40 1/8 x 54 3/4 x 44 1/8 inches.

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A New Book Flies Through the Vast World of Birds from Art and Design to History and Ornithology

Colossal

Matt Stuart, Trafalgar Square, 2004. Oiva Toikka, Birds by Toikka, 1972–present. Florentijn Hofman, Rubber Duck, 2013. m / 21 ft, temporary installation, Hong Kong. Picture credit: All Rights Reserved, courtesy Studio Florentijn Hofman. Photograph, dimensions variable. Picture credit: © Matt Stuart.

Art 96
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Becoming type-sensitive with the psychology of fonts

UX Collective

Another caveat to keep in mind is that material presented in more difficult-to-read fonts is enjoyed less. So, we also do readers a favour when we avoid ageing them faster by considering our font choices rather than presenting them with unsavoury combinations. 2004, September). 2) We can also shift the perspective here. (Not

Fonts 93