I tested the AlgoLaser Pixi, and while its diminutive size made me question its abilities, it won me over

It's a compact and portable laser, perfect for the craft fair and small studio.

Algolaser Pixi
(Image: © Rob Redman)

Our Verdict

The AlgoLaser Pixi is small, inexpensive and simple, but it's a very capable little laser cutter/engraver that can take on all manner of jobs. What’s more, it can do it without having to boot up a computer, making it perfect for beginners or those looking to customise products in a shop or craft fair. The solid build and nice screen give it a feel more premium than the price would lead you to believe, too.

For

  • Compact and portable
  • Three laser options available
  • Easy to use
  • Accurate results

Against

  • No autofocus

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Laser cutters are often large machines that require a substantial space to operate in, take investment in time to learn but can be really useful pieces of equipment for the creative space.

That said, a number of companies have started producing smaller units and AlgoLaser is one such company. I’ve reviewed their larger, gantry-style Delta before but now they have released a tiny laser cutter and engraver that not only fits many more budgets but can easily fit on a desktop and takes very little investment in time to learn. Their Pixi is a delightfully compact machine that opens up laser cutting to the masses but how does it compare? Can it compete with the big boys among laser cutters on the market?

The Verdict
8.5

out of 10

AlgoLaser Pixi Smart Laser Engraver with Enclosure

The AlgoLaser Pixi is small, inexpensive and simple, but it's a very capable little laser cutter/engraver that can take on all manner of jobs. What’s more, it can do it without having to boot up a computer, making it perfect for beginners or those looking to customise products in a shop or craft fair. The solid build and nice screen give it a feel more premium than the price would lead you to believe, too.

Rob Redman
Editor, ImagineFX

Rob Redman is the editor of ImagineFX magazines and former editor of 3D World magazine. Rob has a background in animation, visual effects, and photography.