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Human exploitation of nature and the climate crisis dominate Fiona Campbell’s work

Creative Boom

Photo Tchad Findlay Sculptor and artist Fiona Campbell creates drawings in space, blurring boundaries between sculpture, drawing and installation. Her dog was dying during the making of Glut, a sculptural installation, and Campbell used personal items such as her beloved dog's lead. Found and recycled wood, paper, plastic, wire, wax.

Art 311
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NYCxDesign 2022 Recap: Our 4 Top Takeaways

Azure Magazine

Displayed in a two-toned pink-red configuration, the system features ridged panels that mimic the look of wood slats — adding up to a backyard statement piece that lands somewhere between a log cabin and a Donald Judd sculpture. Civic engagement was also a big topic over at WantedDesign Manhattan. It’s set to launch in 2023.

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DesignMarch 2023: A Celebration of Icelandic Design

Design Milk

But like fungus themselves, the greater body of interest lies underneath the surface – topics related to food and sustainability – subjects of vital local importance in a culture where a majority of local produce must be foraged, hunted seasonally, or grown within greenhouses.

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Things to see and do at London Design Festival 2021

Design Week

Earlier this year, Design Week wrote about the design opportunities that might exist in the home of the future – this Brompton district exhibition explores the topic further. Raghavachari spoke with Design Week last year on a similar topic. Exhibition: The Future of Home. Exhibiton: It’s a Sign! Talks: Doodle Talks.

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Where I Work: Marie-Louise Høstbo of Fritz Hansen

Design Milk

When reading and doing research I concentrate too closely on the topic to be able to listen to music. Currently I have an image of my daughters when they were young, wood pieces collected on my childhood beach, collectibles from travels, and inspiring images of art, architecture, and design. Catherine’s College is a sculpture.

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Hyperrealistic Ceramic Sculptures by Christopher David White Mimic the Splintered Texture of Decaying Wood

Colossal

In his Richmond studio, artist Christopher David White ( previously ) practices an alchemy of materials as he transforms slabs of clay into deceptive sculptures and functional objects that appear carved from hunks of decaying wood. Once fired, the artist paints each sculpture with a largely neutral palette of acrylics.

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“Our isolation makes us resourceful”: a New Zealand design guide

Design Week

A specialist in whakairo (a type of wood carving), the artist wanted to create an identity that tied together both his Māori and European heritage. With this new umbrella identity, Matiu successfuly applied for New Zealand Sculpture Onshore, a leading sculpture exhibition in the country. Challenging norms.

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