Barnett Freedman “saw no difference between commercial work and fine art”
Design Week
FEBRUARY 4, 2020
Thinking of mid-century British designers, names that come to the mind might include Eric Ravilious and Edward Bawden. Less so Barnett Freedman who, despite a proliferation of design work that spanned Transport for London posters, book jackets and royal commissions, has gone relatively under looked.
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