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Magical world of inflatable art opens new cultural landmark in Manchester

Creative Boom

Yayoi Kusama and Dots Obsession, 1996-2011 Installation view_ The Watari Museum of Contemporary Art, Tokyo. Courtesy of Ota Fine Arts, Victoria Miro and David Zwirner. Installation view from Manchester International Festival 2023 exhibition ‘Yayoi Kusama_ You, Me and the Balloons’ at Aviva Studios. © YAYOI KUSAMA.

Art 541
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The Alternative Limb Project by Sophie de Oliveira Barata is where art meets science

Creative Boom

Artist and sculptor Sophie de Oliveira Barata has combined art, technology and science to create artificial limbs, which are wearable art pieces for performance and exhibition. During her time as an art student, she also worked at a hospital serving tea and coffee. In fact, it changed her career path. "I

Art 369
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“A tribute to pure expression”: a Polish design guide

Design Week

.” Part of Syfon Studio’s poster exhibition Tofil founded the Warsaw-based graphic design consultancy, Syfon Studio, with Ula Janowska in 2015. This could be seen at the Institute of Design Kielce, where a poster exhibition played on the cultural significance of Apple logos and balloon letters.

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Celebrating Transgender History Through Photography

Feature Shoot

Now, decades later, her pivotal work capturing transgender history is being recognized as part of the retrospective exhibition Breaking Boundaries: 50 Years of Images at Culture Lab LIC , curated by Orestes Gonzalez and Jesse E gner. My witness to his strength and standing was clear in his mentoring of Kamari.

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Nick Brandt and Jo-Anne McArthur On Photography and Creating Change for Animals

Feature Shoot

Brandt has had multiple solo exhibitions in museums and galleries worldwide, and in 2010 he co-founded Big Life Foundation , a non-profit organization dedicated to protecting 1.6 The project is being exhibited globally. – in the public conscience. Spain, 2011. . © Nick Brandt. Nick Brandt (NB): Sigh.

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Sketches of Frank Gehry: A Conversation with Jean-Louis Cohen

Azure Magazine

He has explored theory and design from 1900 to the present and incorporated his vast knowledge into publications, exhibitions (including at the 14 th Venice Biennale, where he curated the French Pavilion) and lectures. He also teaches the course History of Architecture at New York University’s Institute of Fine Arts.