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Patrick Thomas & his PULP silkscreen prints respond to the era of "truth decay"

Type room

A-Z presents , exhibition , Patrick Thomas , talk , Berlin , fake news , truth , artivism , silkscreen , silkscreening prints , newspaper , printing. In 2005 he published Black & White, a compilation of his work for the International Press. In 2011 Laurence King Publishing , published his second book Protest Stencil Toolkit.

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The Best Graphic Design Books to Buy

Inkbot Design

Practical and straightforward, you are encouraged to learn from the masters of the design world, from Stefan Sagmeister to Margo Chase and Rudy VanderLans. Their thoughts are boiled down into short quotes and one-liners that illustrate their character and exhibit their philosophy of the world around them. $89.13. Buy on Amazon.

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How Hjärta Smärta Challenged the Male-Dominated Status Quo in the Early 2000s

Eye on Design

Long before higher education in art and design was within reach for me, and before my imagination stretched to even considering book design as something one could do for a living, I accidentally found a publication in the school library that absorbed me and still sits in my heart as one of the “magic” books of my life. .

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From Kindergarten Through High School, This Family Has Been Making a Magazine Together for Ten Years

Eye on Design

This question sparked a conversation about starting a family art collective, which they would go on to form in 2011 under the name holycrap (‘crap’ is an anagram of each family member’s initials). He made many art pieces that Claire, as mothers do, began collecting, leading in 2011 to Renn by Renn Lim, holycrap’s first exhibition.

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The case for using non-human personas in design

UX Collective

Why it is time to move beyond just designing for humans. Image by Ilias via Adobe Stock This article is based on a recently published academic paper with the title Non-Human Personas: Including Nature in the Participatory Design of Smart Cities , which appeared in the Journal of Interaction Design & Architecture(s).