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Fab new typefaces to freshen up your design projects this Spring

Creative Boom

Across the full family, characters stand tall in a range of styles, from heavy-footed and funky platforms to slim lifts that lend it an ethereal, art nouveau vibe. Its design was inspired by book covers from the first half of the 20th century, particularly those crafted in the 1930s for the renowned publisher Albatross.

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The 37 Best Design Books to Level Up Your Skills

Inkbot Design

Reading is one of the best ways to learn new techniques, theories, and approaches to elevate your craft. Sale Graphic Design Theory: Readings from the Field Armstrong, Helen (Author) English (Publication Language) 151 Pages – 03/11/2009 (Publication Date) – Princeton Architectural Press (Publisher) −$22.95 $2.00

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What’s the value of a writing workshop for designers?

UX Collective

Getting Ready to Write I borrowed the idea for this workshop from the curriculum of the two-week Summer Intensive offered by the School of Visual Arts’ DCrit (now called Design Research) program where I was a student a few Junes ago, sitting around a table like the one at Penn. kind of like user research with yourself as the subject.

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The World’s Most Famous Graphic Designers in 2019

Design Wizard

Multimedia Art & Animation. We have spared neither cost nor effort to find the best graphic designers in all areas of the craft. His deep love of typography and traditional print elements are clearly illustrated within his social media postings. Product Development. User Experience. User Interface. Video Games. Web Design.

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Women You Should Know in Graphic Design History

Tuts Plus

Gail Anderson is a graphic designer and writer who graduated from the School of Visual Arts. Marian Bantjes, GQ Italy cover, October 2009. Irma started her career at The Government Printing and Publishing Office by doing an internship. She taught herself calligraphy and later joined Skidmore College to study art.

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35 Famous Graphic Designers You Need To Know

Shillington

On top of this, she is also a teacher at the School of Visual Arts, contributes to Imprint and Uppercase magazine and has co-authored numerous books, including The Typographic Universe, American Typeplay and New Modernist Type. He lectures at his alma mater the School of Visual Arts and other colleges across America.