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This is why I don’t call myself a service designer any more

UX Collective

The road to design maturity gets longer The inflation of design as a profession and why I no longer call myself a service designer Photo is by Jan Huber from Unsplash I love doing service design. When I looked up the available MSC programs, I was immediately drawn to Product Service System Design.

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Don Norman and the Emotional Side of Design

Inkbot Design

” Sale Emotional Design: Why We Love (or Hate) Everyday Things Norman, Don A. Author) English (Publication Language) 272 Pages – 05/11/2005 (Publication Date) – Basic Books (Publisher) −$6.10 $11.89 Buy on Amazon Why Does Emotional Design Matter?

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The waves of research practice

UX Collective

Its grounding frames are consolidated sets of user needs that extend into organizational composition and the market landscape. Except for vendors with volume plays and specialists in special markets, the value to be gained here is decreasing as the wave diffuses into the background of our work. Interaction was a “higher order” (cf.

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Reflections of a product designer

UX Collective

The product designer needs to think about what happens before they even get to or how they get to A, and then after they get to B, how can we follow up and get them to C, D, and F, and then come back to C later for a different reason. This knowledge is invaluable when validating workflows or interaction design patterns. and Three.js

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Web Quality Assurance: From User Requirements To Web Risk Management

Smashing Magazine Graphics

” Quality assurance (QA) is defined as: “A program for the systematic monitoring and evaluation of the various aspects of a project, service, or facility to ensure that standards of quality are being met.” — “ Quality assurance ,” Merriam-Webster. It looked realistic in 2004 but the rule was already irrelevant by 2005.

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Where did this interaction come from??—?a brief history of interaction design

UX Collective

In 1965, Schoffer also presented the plans for a cybernetic city at the Jewish Museum in New York demonstrating that for Schaffer the ability to program not only sculptures but the whole urban area offers the idea of a dialogue between technology and environment. CYSP sculptures were the main instances of the cybernetic art movement.