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Don Norman and the Emotional Side of Design

Inkbot Design

” Sale Emotional Design: Why We Love (or Hate) Everyday Things Norman, Don A. Author) English (Publication Language) 272 Pages – 05/11/2005 (Publication Date) – Basic Books (Publisher) −$6.10 $11.89 Buy on Amazon Why Does Emotional Design Matter?

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Dot Dot Dot Is the Most Influential Design Magazine You’ve Never Heard Of

Eye on Design

This rigorous meta-analysis immediately inserted Dot Dot Dot into the lineage of design journalism and set the tone for its entire run of 20 issues which were released biannually from 2000 to 2010. Certainly, if you were a particular type of designer in the early 2000s, Dot Dot Dot was the most exciting publication you could find.

Magazine 111
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Design in Conversation: Stephanie Hosein, Jeff Shaw, Jordan Rice, and Omar Gandhi

Azure Magazine

From Douglas Cardinal’s Canadian Museum of History and Raymond Moriyama’s Science North to John and Patricia Patkau’s Audain Art Gallery, the country’s public galleries and museums claim a leading place in the national design discourse, providing a civic lens through which we understand culture, art, history, and nature.

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Women You Should Know in Graphic Design History

Tuts Plus

A visionary in the 1950s, she made use of graphic design to create clean and efficient directional signs in many major airports and stations, as well as Madison Square Garden. She was trained at the Yale University School of Art and Architecture, and her first job was working alongside industrial designer George Nelson.

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AZ Awards 2020: Meet the Jury!

Azure Magazine

Luca Nichetto and his new collection for Bernhardt Design. The prolific furniture and product designer Luca Nichetto graduated from the UniversitĂ  Iuav di Venezia in 1998 and began his career in industrial design the very next year.

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Where did this interaction come from??—?a brief history of interaction design

UX Collective

In 1961 , Allan Kaprow defined “Happenings” as a form of [performance] art in streets, garages, and shops as opposed to the general exclusive approach of art galleries and exhibitions. If visitors kept quiet in the exhibition space, they would only see their mirror images.