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Print's not dead: the best magazines for graphic design inspiration

Creative Boom

And in an era dominated by digital, one might be tempted to think that print has lost its relevance. For graphic designers especially, print magazines offer a source of inspiration that's tangible and immersive and presents content in a completely different visual way to digital. It's available in both print and digital editions.

Magazine 525
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Cadbury's campaign claims to reveal our personality via our eating choices

Creative Boom

To us, it doesn't feel like long since it appeared on our TV screens, but apparently, it was a full 20 years ago, in 2004. It's all part of a digital-first campaign, which includes an online personality test. Well, that's us told. The new spot, titled Big Deal, was created by the brand's global agency of record VCCP London.

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14 fonts to fall in love with: trending typefaces that designers adore

Creative Boom

Its symmetrical structure is balanced with an organic drawing and a particular digital flavour. It was finally launched to the public in March 2021. The font was created by Vectro Type , a typeface design studio based in Portland, Oregon, that offers retail fonts, bespoke typeface design, and font production services.

Fonts 545
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The 37 Best Design Books to Level Up Your Skills

Inkbot Design

Sale Graphic Design Theory: Readings from the Field Armstrong, Helen (Author) English (Publication Language) 151 Pages – 03/11/2009 (Publication Date) – Princeton Architectural Press (Publisher) −$22.95 $2.00 He examines why some products confuse users while others feel intuitively easy to operate.

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The CMYK Colour Model: An In-Depth Look

Inkbot Design

When working in print design and production, understanding colour models and methods of colour reproduction is vital. CMYK Colour Systems There are a few specific CMYK colour schemes and systems worth noting: SWOP (Specifications for Web Offset Publications) A standard CMYK definition is used in U.S. commercial printing and packaging.

Print 81
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Becoming type-sensitive with the psychology of fonts

UX Collective

Print publications in general also tend to use serif fonts due to perceived (more enjoyable) readability and more refined aesthetics. They are also more prevalent in the digital aether as they tend to render more crisply on a range of screen sizes. (If M., & Vaughan, E. Cognition, 118(1), 111–115. R., & Bottomley, P.

Fonts 96
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Incorporating UX Research in agile-based product development

UX Collective

2004; Mao et al., UCD generally involves specification and delineation of the context of use, identification of business requirements and user goals that constitute product success, and iterative creation and evaluation with users of design solutions. one such methodology is Agile. 2014; Schön et al., 2014; Schön et al.,