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Mike Nelson on his sensory new survey, scavenging objects and simulating reality

Creative Boom

Mike Nelson, MAGAZIN: Büyük Valide Han, 2003. Installation view, Büyük Valide Han, 8th International Istanbul Biennial, Istanbul, 2003. Courtesy the artist and the Hayward Gallery Installation view of Mike Nelson, The Asset Strippers (solstice), 2019. Found tyres. Photo: Matt Greenwood. Photo: Matt Greenwood.

Gallery 389
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Olafur Eliasson Floods an Art Gallery in Basel

Azure Magazine

In an act that he describes as “caring,” Eliasson removed most of the windows from the museum’s main gallery, allowing the nearby pond to spill into the building’s interior. The flooded gallery’s bare white walls provide an almost ironic backdrop, as art takes place, unconventionally, below the visitor’s feet. .

Gallery 89
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Meet the Jury of the AZ Awards 2024

Azure Magazine

Lee Alumni Centre and Ponderosa Hub, both at the University of British Columbia (UBC); Ottawa’s Global Centre for Pluralism for the Aga Khan Foundation of Canada; the Remai Modern Art Gallery of Saskatchewan; and the recently completed Harrison McCain Pavilion for Beaverbrook Art Gallery in Fredericton, New Brunswick.

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Prem Krishnamurthy on Design as a “Generous Discipline”

Eye on Design

A procession of designers had made their way to the city over the course of the year to take part in a new workshop/exhibition space supported by KW Institute for Contemporary Art — Na Kim , Karel Martens, Esen Karol, Fikra ’s Salem Al-qassimi, among them. Over those five years, the exhibitions at P!

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Skate culture: No comply

UX Collective

Somerset House’s exhibition explores the impact of skateboarding in the UK. Having never lost the love of, and for, skateboarding, when I saw an upcoming exhibition about it earlier this year at Somerset House , it was a must-see. Both of these inadvertently; I was like a sponge soaking it all up. Iconic films like Girl – Yeah Right!

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“Could Policy-Making be Considered Architecture?” A Q&A with Frida Escobedo

Azure Magazine

That all changed this March when New York’s Metropolitan Museum of Art picked her to design its new $500-million modern and contemporary art wing, 7,435 square metres of galleries and public space. Ambasz is also credited with discovering Luis Barragán by bringing his exhibition to MoMA where he was a young curator in the 1970s.

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Sketches of Frank Gehry: A Conversation with Jean-Louis Cohen

Azure Magazine

He has explored theory and design from 1900 to the present and incorporated his vast knowledge into publications, exhibitions (including at the 14 th Venice Biennale, where he curated the French Pavilion) and lectures. His work is no less ecological than other designs, but he is not interested in exhibiting this aspect.