Design Week
JANUARY 29, 2020
” And while there might not be one rule to good book design — Strelecki calls it a “process” between designers and clients — the jurors bring together a wealth of experience. Together and through that selection process, they might reveal answers to the secret of good book design Strelecki says.
UX Collective
MARCH 17, 2023
Since then, pattern libraries have become a commonly used tool in the design process, enabling designers to document and reuse design solutions for common user interface challenges. Finally, the best of these solutions stand out, self-identify, and refine themselves until they reach the status of a design pattern.
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Spine Magazine
NOVEMBER 30, 2020
Chin-Yee Lai is a book designer and the Creative Director at Basic Books, an imprint of Hachette Book Group, and has run Chin-Yee Lai Design since 2001. Here she talks us through her process for designing Worked Over. Worked Over by Jamie K.
Shillington
DECEMBER 9, 2019
ARS Maquette and Copernicus Book. Designed by Angus R. Shamal and released through ARS Type in 2001, its pleasing geometrics are both super-friendly and supremely readable. Copernicus Book is a much more traditional serif that exudes authority and a sense of formality, yet still with friendly and approachable letter-shapes.
UX Collective
MARCH 14, 2022
The Charles Schwab logo was last designed in 2001 and it comprises of a wordmark (the full name of the brand, spelled out in all the letters). So with my eyes set on solving this design problem, I took out pen and paper and began the process. This can be attributed Charles Schwab app’s slightly outdated logo.
UX Collective
NOVEMBER 18, 2021
Making choices around resource use might make “less bad” graphic design, does it make for sustainable graphic design? Anthony Dunne and Fiona Raby write in their 2001 book Design Noir: The Secret Life of Objects that “all design is ideological, the design process is informed by values based on a specific world view.”
A List Apart
MAY 31, 2018
In 2001, more and more of us began using CSS to replace the non-semantic HTML table layouts with which we’d designed the web’s earliest sites. If we wish to get back to the business of quietly improving people’s lives, one thoughtful interaction at a time, we must rid ourselves of the cult of the complex. And the div cries Mary.
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