2000 Advertising Arts and Crafts Graphic Design 
Creative Boom
AUGUST 16, 2022
After heading creative at her own firm for more than a decade, teaching classes in advertising and art directing at Miami Ad School, working for ad giants like TBWA, and producing award-winning creative for F&B in Sweden, Emma Eriksson is a master of the creative process and has a proven track record of work that commands our attention.
Eye on Design
AUGUST 12, 2021
It asks designers to consider which side of the argument they are on. Garland’s FTF, co-signed by 21 colleagues, including some photographers, calls for a “reversal of priorities” among graphic designers. It took 35 years for the second version, First Things First 2000 , to appear, in fall 1999.
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Eye on Design
AUGUST 22, 2022
For Louise Sandhaus, her role as a design educator and mentor reaches back nearly twenty-five years. She’s inspired countless young designers through her courses at CalArts, while also serving as co-director of the school’s Graphic Design Program, an AIGA board member, and Chair of the AIGA Design Educators Community steering committee.
Inkbot Design
SEPTEMBER 23, 2022
When you utilise emotions in your creative design, you open up a robust and subconscious pathway for connection. Crafting design elements in such a way that they provoke an appropriate emotional response can create a lasting impression on the consumers you reach. These companies master the art of creating Brand emotions.
Inkbot Design
MAY 22, 2023
Graphic Design in Digital Marketing: Driving Engagement, Conversions, and Brand Success As you swipe through your feed, that one ad grabs your attention. That's the magic of graphic design in digital marketing— a combination that's taking the business world by storm. We've moved past plain text advertisements.
Inkbot Design
JULY 28, 2023
This visual clarity and neutrality made Helvetica appealing to the emerging international corporate and design culture in the 1960s and 70s. Major multinational brands like American Apparel, Target, and Jeep adopted Helvetica for logos and advertising, taking advantage of its ability to convey professionalism, reliability and timelessness.
Eye on Design
JUNE 9, 2021
Ken Garland, who died in May at the grand age of 92, was an enigmatic figure in the graphic design world. Like the no doubt hundreds of designers who had sought out meetings with Ken before and after me, I found him to be an engaging subject and incredibly kind with his time and attention. Garland’s studio wall.
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